Hollywood stars dating history
is the deliciously scandalous story of Scotty Bowers, a handsome ex-Marine who landed in Hollywood after World War II and became a confidante, aide-de-camp and lover to many of Hollywood’s greatest male — and female — stars.
In the 1940s and ‘50s, Scotty ran a gas station in the shadow of the studio lots where he would connect his friends with actors and actresses who had to hide their true sexual identities for fear of police raids at gay bars, societal shunning and career suicide.
Over the past century, these four cinemas have collaborated on a number of projects.But he cannot, in this same sense, make himself famous, any more than he can make himself loved." Madow goes on to point out "fame is often conferred or withheld, just as love is, for reasons and on grounds other than 'merit'." According to Sofia Johansson the "canonical texts on stardom" include articles by Boorstin (1971), Alberoni (1972) and Dyer (1979) that examined the "representations of stars and on aspects of the Hollywood star system".Johansson writes that "more recent analyses within media and cultural studies (e.g.Bastian, Dian Sastrowardoyo, Tora Sudiro, and Iko Uwais, from Indonesia; Claudine Baretto, Piolo Pascual, John Lloyd Cruz, Jericho Rosales, Aga Muhlach, Kristine Hermosa, Dingdong Dantes, and Bea Alonzo, from the Philippines; and a few from Singapore, such as Aaron Aziz and Adi Putra. The film follows Bowers as a notorious Hollywood hustler who helped arrange same-sex hookups for many closeted queer actors in the 1940s and 1950s.
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By the 1920s, Hollywood film company promoters had developed a "massive industrial enterprise" that "...peddled a new intangible—fame." Early Hollywood studios tightly controlled who was a movie star, as only they had the ability to place stars' names above the title; according to film historian Jeanine Basinger, this was done "only for economic reasons".